Last night we attended the Ten // Matthew Collings// Talvihorros gig, hosted by the lovely Hibernate Records at the Royal Park Cellars. Aside from a few technical issues, it was a good night; I was especially enamoured by Matthew Collings' use of bells (& rice, but it was the bells that got me) inside of speakers- just one aspect of his incredible sonic-sculpture set, but it really sounded amazing.  

After a manic afternoon in my new garage-cum-print-workshop (making around 40 textural prints), I had a small break and found this interesting piece on the Internet:

AION - JACOB KIRKEGAARD

From the website: 

"AION (Ancient Greek αιων = “infinity”, “eternity”, a time span beyond human understanding) is a portrait of four abandoned spaces inside the so-called “Zone of Alienation” in Chernobyl, Ukraine; a dripping swimming pool, a ruined concert hall, a mould-infested gymnasium and an old village church. During the days and weeks following the accident at the Chernobyl nuclear power plant on April 26th, 1986, the local population were evacuated by Soviet military, and they had to leave behind all their belongings. The former homes, meeting places and recreation centres were declared contaminated territory – in fact, they will remain uninhabitable for thousands of years.

Two decades after the disaster, Jacob Kirkegaard visited the exclusion area with his recording equipment. His approach was inspired by Alvin Lucier's work “I am sitting in a room” [1970]. While sitting in a room, Lucier recorded his own voice reciting a text which he then played back in the room. He repeated this process over and over again until the different layers of his voice began to merge into a constant drone. Kirkegaard didn’t record his own voice but the voice of the room itself. He put up a microphone and a speaker, started the recording and left. After ten minutes, he returned, stopped the recording and played it back into the same space. With each new layer, the subtle sounds of the room were enlarged and deepened until they finally turned into one humming sound with many overtones.

For the visual representation of the four rooms, Kirkegaard explored a variety of techniques, working with layers, overexposure and video feedback, that can be understood as analogous to his acoustical method."

How amazing does that sound? UK folks can buy the 50min DVD here.

Find out more at Kirkegaard's website